Low-Energy, Easy Fun

Apparently, Halvorson’s latest book “Focus” was not as objective as her prior summary, skewing more heavily towards the advantages of being promotion-focused. So I haven’t bothered to read it yet, preferring to use the ideas in the summary as more of a springboard for my own thoughts.

(Fortunately, I’m not a career psychologist, so I don’t have to substantiate my hypotheses with research and evidence, and can just play around with thought experiments and musings for fun.)

I find myself drawn to the portion on “energy.” To recap:

When your goal is an achievement, a gain, you feel happy—joyful, cheerful, excited, or, in the vernacular of a typical teenager, totally stoked. It’s a high-energy kind of good feeling to reach a promotion goal.

It’s a very different kind of good to reach a prevention goal. When you are trying to be safe and secure, to avoid losing something, and you succeed, you feel relaxed—calm, at ease, peaceful. You breathe the sweet sigh of relief. This is a much more low-energy kind of good feeling, but not any less rewarding.

When you are going for gain, trying to accomplish something important to you, and you fail, you tend to feel sadness—dejected, depressed, despondent. As a teen might put it, totally bummed. It’s the low-energy kind of bad feeling—the kind that makes you want to lay on the couch all day with a bag of chips.

But failing to reach a prevention goal means danger, so in response you feel the high-energy kinds of bad feeling—anxiety, panic, nervousness, and fear. You freak out. Both kinds of feelings are awful, but very differently so.

I wonder if it might not help to explain why some gamers prefer more sedate types of gameplay – be it grinding for progress slowly, or a strategic challenge, or slower overall pacing.

In other words, we’re seeking the low-energy kinds of good feelings. We want to relax, be comfortable and content, be relieved, feel peace.

(Whether this has any correlation with being prevention-focused on a particular goal, or introversion-favoring, I’ll leave it to others to figure out and do the research.)

We -hate- being overstimulated by high energy feelings, especially when they tend to be the bad kind – aka being a fearful, anxious, nervous wreck, and are liable to either run away from the situation (avoiding/escape/flight) or take constructive steps to address said situation producing the bad feelings until the situation or feelings go away. (fight?)

The spot of good news, as mentioned previously, is that one has the high-energy motivation to take action and do either of those.

Other gamers, by contrast, probably loathe the low-energy bad feelings. They feel down, depressed, de-energized, bored. They’re liable to quit if they have *horror of horrors* “nothing to do.”

They’re looking for gameplay that excites them, gives them high-energy good feelings.

Hence the litany of constant demands for moar adrenaline-pumping “hardcore challenges” where they can earn deserved rewards, racking up one gain after another, addicted to the euphoria of achievement.

(I dunno. Sounds a bit like extraversion to me.)

It’s not easy as a game designer if you have to keep both camps happy, huh?

I don’t think they’re necessarily diametrically opposed, though. The perceived level of challenge is likely to prompt different energy levels of feelings.

The trick is, how do you get those looking for low-energy easy-fun to “be better” than those looking for high-energy hard-fun, so that they can look at the same mob and the former feels “okay, I can do this, easy peasy, no sweat, I’m having fun” and the latter feels “wow, this is so hard, this is so fun!”

The nature of practice being what it is, the adrenaline junkies are liable to be more practiced and experienced than the chill hipsters… so you tend to end up in an escalating situation of the former demanding more hits, while the latter stresses right out.

(Hrm, creative suggestions / solutions welcome.)

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Anyway, I find myself having a blast in the new Bloodstone Fen map.

That is, low-energy definitions of a “blast.”

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I trundle around, gliding and bouncing here and there and everywhere (bonus points for recognizing the phrase), collecting and harvesting all the things.

Every so often, an orange dynamic event comes up and I evaluate, “is this node more interesting or is that event more attractive?”

(Usually, the node wins, for the ten seconds it takes to harvest, and then I’m running over to spam 1 and dodge orange circles until the bouncy reward chests pop up.)

Rinse and repeat.

It’s a nice compact map, with high frequency of orange dynamic events, many doable solo or in small loosely assembling groups, and that seem to be less linearly linked to pushing some overall map wide meta.

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Every now and then, a big “world boss” type of event triggers, and then folks are drawn in to a centralized location, naturally congregating into a big zerg to defeat it.

Feels good. Feels like a bit more like Core Tyria (with less NPC settlements or friendly NPC interaction.)

I am greatly reminded of my relationship with City of Heroes’ Incarnate Trials and Dark Astoria zone.

That is, I was deeply uncomfortable with Incarnate Trials (to the point where I canceled my subscription, not being as motivated in CoH as in GW2 to play the raids – my ego is a lot more vested in accomplishments in GW2, whereas I was already getting bored with CoH and not at all tempted by gear-improvement rewards) and only re-subbed and tried out the Trials when Dark Astoria came into the picture.

Dark Astoria was the alternative, the philosophical recognition that people who enjoyed solo content should also have a means to earn Incarnate shards and achieve Incarnate levels of power, albeit at a slower rate than those who played the trials in a group setting.

Now, of course, if you -wanted- to speed up your rate of shard earning and could put up with a raid group, then yeah, go ahead and raid. It becomes an option, not a necessity.

We’re not quite 100% there yet with Bloodstone Fen.

The big thing GW2 is still missing is an alternative means for Legendary Armor.

Given that a normal set of armor apparently takes them 8 months to make (ie. Legendary Armor takes even longer) and that this batch of experimental Envoy armor seems to be inextricably linked to PvE raid progress (and a bit of PvP and WvW) and is still far far away in its arrival, it’s little wonder that they’re keeping very very quiet about any possibility of a second set of Legendary Armor, gained by some other means.

Maybe if we’re lucky, ArenaNet will come up with an elegant solution involving build templates and resolving the rune/sigil problem, and nip the issue of extra functionality with a set of purple-named armor and then the whole lack of an alternative will be moot.

(Raiders having prestige cosmetics is okay, bonus functionality is not okay. To me, anyway. Philosophically. Ideally. Speaking from a better part of me.

In practice, if we wanna be pragmatic about things, up yours. I’m on the side with the shinies. Don’t we love Chinese pragmatism? Embrace the Dark Side, baby.)

But I digress.

Bloodstone Fen is a step in the right direction, a step that was missing and ought to have been there as the raids came into the GW2 picture.

(Too bad the raid team works so damn fast, as compared to the rest. Or so damn slow, if both Bloodstone Fen and the raid wings were -meant- to arrive during HoT launch. If only Anet had slightly better scheduling/project management…

On the other hand, Bloodstone Fen looks like it was cobbled together using a ton of re-used assets and specifically addresses a number of reaction feedback from HoT, so it does also look like a mad iterative stopgap scramble to band-aid fix some issues. All those elder wood nodes and leather/cloth salvage reward drops are no accident, for example.)

It generally functions as the soloer’s alternative, just as Dark Astoria did.

There is stuff to do. Stuff to earn. Aerial combat skills being one of them, and apparently there are now means to get HoT stats that were previously only found in raids (big philosophical no-no, there) in Bloodstone Fen.

It helps the soloer understand the White Mantle storyline, that was previously only being told in raids.

It puts easy-ish world bosses that utilize raid-like mechanics -just less punishing ones- into the open world, so that players have the safety of a zerg (aka people around to rez them) and uses it to introduce/scaffold raid-necessary concepts – like the use of the new special action key, break bars, dodging orange circles, running to specific defined locations aka non-orange circles to achieve some objective, etc.

(It’s a start. Then certain buffed up fractals take over the teaching, by ramping up the necessity for increased group coordination and communication and personal movement/dodging ability. More on fractals in another post later.)

Bloodstone Fen gives me my “easy fun” back.

And I’m happy about that.

In a totally chill, relaxed kind of way.

CoH: Screenshot Nostalgia Trip #6

*plays the Pink Panther theme*

The Rikti were an interesting mob faction in City of Heroes.

The First Rikti Invasion apparently capped off the City of Heroes beta (wouldn’t know, wasn’t there, just read the previews mostly).

The backstory was that this group of science and tech-using aliens invaded the Earth of City of Heroes (aka Primal Earth,) ensnaring the globe in a massive Rikti War. Eventually, most of the superheroes of the world mobilized to conduct one gloriously bold strike at the invasion’s source, the portal to the Rikti Homeworld.

Alpha Team, led by Statesman, was the frontal distraction, with a corresponding death toll of 4 out of 5 heroes.

Omega Team, led by Hero 1, dived through the portal during the distraction. Soon after, the portal exploded and closed, the fate of Omega Team unknown. Heroes doffed their capes in remembrance (which was, in reality, a sneaky excuse for “we haven’t figured out the tech to let you have capes yet.”)

What heroes saw of the Rikti from then on appeared to be the straggling pink/beige remnants of this alien invasion, though certain storylines let on to a more sinister and intriguing undertone, where one witnessed the human Lost faction gradually mutating into Rikti, and this mutation being induced by other full Rikti.

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Rikti Crash Site was a max level 50 zone with not much in it besides a lot of apocalyptic urban skyscraper wrecks, the world’s largest collection of tightly packed Rikti spawns for tanks to farm to their heart’s content, and the mysteriously shielded crashed Rikti Ship, looking for all intents and purposes like a giant alien flying saucer.

Some time in 2007, the Second Rikti Invasion struck Primal Earth. This was a threat that united heroes and villains alike, allowing crossovers and teaming up in a special zone for the first time.

The invasion arrived in phases, first with sinister bombs sprouting all over a zone.

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Rikti drop ships would glide impassively across the now green skies, striking anyone who got too close with bright green energy blasts.

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Then finally, the Rikti themselves would beam in.

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Not even the villains were safe.

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Mechanically, this was, I suspect, one of the earlier examples in MMO history where an MMO introduced an automated ‘public event’ that scaled to player densities, and linked it to an ongoing storyline.

(Sure, MMOs before this had events, seasonal or otherwise, but most were either triggered by a GM manually spawning something or set out in the usual quest-giver format for individual players to run through. Feel free to correct me if I’m wrong, I did miss a lot of the earlier MMO days.)

I think one of the biggest innovations of this ‘invasion tech’ was the idea of adjusting mob spawns and dynamically scaling encounters based on how many players were locally available in the area. We see other games now applying similar concepts.

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Back in the day, it sure made for great action screenshots.

(Not to mention, encouraged players to actually clump and gather up as a large social group, in order to spawn the elites everyone desired for an achievement – amazing, I know, that this was such a new idea then and not looked down upon and disparagingly called “zerging” in our current day and age.)

Ultimately, the heroes and villains would venture into the newly rechristened Rikti War Zone…

(The problem with a dark/dark powerset)

(My defender main, showing off the problem with a dark/dark powerset. Not only are most of your powers various tinted shades of inky black darkness – kinda like GW2’s shadow dyes, come to think of it – you had to keep making excuses for the inky black blob with eyes that was your pet spilling oil slick all over the landscape. “Don’t mind Fuzzy, he’s toilet trained. The black stuff evaporates shortly, I promise.”)

…to launch an attack on the Rikti Mothership itself.

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The big bad Rikti at the very center had an unfortunately cheesy name, victim of a designer in-joke. U’kon Gr’ai, or “You con grey.”

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The Rikti armor designs of this period were significantly improved, as can be seen in this Paragon Wiki article about the Rikti. No longer were they the naked beige/pink slightly awkward aliens of the past, but a more tech-like robotic enemy, with color-coded armor (warning: TV Tropes link) indicating different powersets.

Ah, dark/dark defender woes.

Ah, those dark/dark defender woes. “No, really, the shadowfall protects you and gives you stealth! How no one can see us in the middle of all this incongruous black splotches, I don’t know, but there’s superhero powers for you…”

The Vanguard were also more fleshed out, along with two Rikti factions, one attempting to sue for peace with humans – hence the conference table setting, and one continuing on their militaristic warlike ways so that our heroes and villains had someone to keep beating on.

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Eventually, we would discover the fate of Hero 1, changed into a Rikti-fied Honoree, who could be fought in the co-op Lady Grey Taskforce, as well as the initial Incarnate introduction mission as seen above.

The story, unfortunately, never really continued from this point, after the game decided to dive headlong into Praetoria instead, getting more and more incoherent as the designers/writers tried to shoehorn in time-traveling and strange in-game lore excuses for however the Incarnate system had to work.

Was a good arc while it lasted.

NBI Writing Prompt: What mob factions in your game are an integral part of its storyline(s) or lore?

CoH/NBI: Screenshot Nostalgia Trip #5 – Scary Places

This one might also double up as a “The Scariest Place” themed post for Murf’s NBI Screenshot Challenge, except I have trouble deciding which one might be the scariest in terms of looks, nor were they exactly scary to the player most of the time either.

So I will leave it to Murf to decide which, if any, counts as part of his challenge, and continue on to the nostalgia.🙂

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In a world primarily composed of office and warehouse tilesets, Dr. Vahzilok’s set piece lair in the sewers was rather memorable. Dr. Vahz is also pretty spooky in his own right, teeny featureless face in a massively brutish body cobbled together from various bodies.

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The Circle of Thorns are kinda magically demonically spooky… and then there were the endless Oranbega maps which nearly everyone dreaded, with its neverending corridors, connected by portals that would never let you through (your whole team would get through on the first or second try, but you’d just keep bumping and bumping into them and getting teleported back a dozen times), plus more portals that you had to close at the end (all twelve or thirteen of them, behind the narrowest tunnels and corner curves one can never spot) with the constantly respawning demons… which then got nerfed into not giving ANY xp after some patch or another…

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Then there’s falling….

seemingly forever…

…down something that looked like the petrified gullet of a ginormous beast.

(This might have been the Eden trial, but I’m not 100% sure anymore.)

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A set piece mission map villain-side, but I can’t remember what it was about either. I just remember the very ominous looking cavern at the end, shaped like a big ol’ toothy maw.

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Arachnos-controlled areas were ominous, in a shadowy kind of way.

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A hero-side map (Croatoa, I think) that happened to have a nice set piece of it being aflame, with the conceit of this screenshot implying that my fire/fire dominator and his imps were the scary badasses to blame.

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I believe this was one of the “more recent” set piece maps that entered the game nearer the end of its lifespan. I was pretty impressed by the update in graphical style, this spooky crypt entrance to a cave system looking like something that might belong more in Skyrim (or Legend of Grimrock, at least) than City of Heroes.

I dunno, I find it hard to judge what’s scary or not, because the honest truth is that I don’t really find even games specifically in the horror genre “scary” these days.

FEAR was effective on me because it was one of my first introductions to the concept of horror movie jump-scares being used in a first-person shooter game.

(Also, they twisted the then-common expectations of the time – ie. you’re always safe on ladders cos you were locked in a ladder climber animation and it would be unfair to present a player with a situation if you give them no animations to react with – almost reach the top and AHH, freaky little girl face staring right at you and then ghosting away. These days, stuff is sophisticated enough to let you dangle from ladders and shoot now, I think.)

But then I started watching a couple of horror movies and being mostly squicked out rather than scared per se at the repeated tropes that lent themselves more to gore and gross-out factor, and recognizing jump-scares for being what they were, and then I played Doom 3 and most of the horror kind of drained out of the genre from the endless repetition, and by the time everyone was singing the praises of Amnesia, I got about fifteen minutes into the game before getting bored out of my skull from the darkness and sneaking and “you don’t actually see anything but there’s spooky horror sounds and shit, and if you don’t act like how we want, it’s an instant game over, try again” mechanics…

…and stuff just stopped being scary for me because I ended up viewing them from a more meta design or film-critical lens.

“Ah, note the shaky camera angle meant to imply uncertainty in the protagonist, or induce a sense of motion-sickness in the viewer/player.”

“Here comes the mysterious magical little girl/doll meant to prey on our mental imagery of small female children being vulnerable and helpless and needing to be protected, turning instead into a monstrous crone figure or a giant threatening vulva or yeah, something of that nature.”

Also, there’s that whole ‘game’ aspect: it -is- a game, the real self is one step removed, the character you’re playing is in a scary, threatening situation, but you’re not. (At least, I hope you aren’t. Don’t look out the window at night while you’re mucking about with fictional horror, yeah?)

NBI Writing Prompt: I could cop out and ask you to tell me about (or show me screenshots of) things you find scary (or not) in your games.

Or I could ask you to write about stuff that scares you, and whether or not you have the same response in games.

(eg. Snakes and scorpions freak me out in real life, and I generally have a big healthy fearful respect of any critter that’s venomous or fatally dangerous to a human and am perfectly ok with this response and not interested in dulling this instinct.

A picture of a snake or scorpion in a game or a video is okay, no problems with that.

In real life though, I’ll just be way over there if something that could kill me is over here though.)